Candy Floss floats to the top

Serota and Saatchi – eschewing Dada all the way.

Two ex-rivals now mates ( there must be a money deal there somewhere) and major players in the hi-jacking of British contemporary art.  Pillars of the art establishment and its control over who and what gets exhibited, from  the Turner Prize on.

These two artful businessmen are, along with their compatriots in clique, responsible for the repression and suppression of free-range art in the UK; instead confining art’s public exposure to the insipid, stale, tame and tired works of a narrow band of politically safe artists.

The latest “work of art” at Tate Modern – a common slide, as found at swimming baths and fun fairs. Because it’s installed in a gutted turbine hall on the South Bank, it suddenly somehow “artifies”

Art in Britain has been reduced to a tawdry turnstiled circus by these narrow-minded elitists and their cosied-up  ilk.

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Random selection of New Dada works on Flikr
( Press Slideshow,then View & Full Screen on your browser )
www.flickr.com/photos/newdada/